Art

Naples Alive

Posted September 5, 2016 by Sharon 2 Comments

Mt. Vesuvius looms only a few miles east of Naples. It casts its shadow of destruction down the centuries so that when you are in Naples, you can never forget that life is fragile.

Maybe that’s why the people of Naples are so alive and fiercely proud of their city, a city that’s a survivor. Every Neapolitan we encountered was quick to point out the treasures of their place.

The Chapel of San Severo with Giuseppe Sanmartino’s gossamer sculpture of the Veiled Christ.

The Archeological Museum laden with decorative treasures from Pompeii.

The pizza at L’Antica Pizzeria Da Michele.

The incomparable bay and lungomare.

Caravaggio’s The Seven Works of Mercy in Pio Monte della Misericordia.

Seafood seafood seafood!

The presepe (intricate nativity scenes) artisans on the street of San Gregorio Armeno.

Flaky sfolliatelle pastries filled with sweetened ricotta.

The incomparable vista from Castel Sant’Elmo Castle, and easy walk from the Montesanto Funicular stop.

Coral and cameo artisans. I succumbed at Cameo Factory De Paola on Via A. Caccavello.

Spaccanapoli, the long wide street that from an aerial view “splits” the city in two parts.

During two August visits, one at the beginning of the month and the other one at the end of the month, to the city by the bay, we experienced these places and tastes. We stayed first at the excellent Palazzo Decumani hotel in the historic center. The property is top notch and the staff wonderful. For the second visit, we booked Soffitta dell’Artista in Mezzanine, through airbandb.com, a guest house and art gallery combined on thriving Via Tribunali. It was fun breakfasting with fellow guests: a family of six from France and a couple from Austria.

Of course, there are gems we didn’t have time for but you need a reason to return to the life of Naples. Click here for more experiences.

Have you been to Naples? What is your most vivid memory?

From Pompeii to Today

Posted August 30, 2016 by Sharon Leave a Comment

Italy may be fragile but our love for the land and its people is unshakeable.

_{“We all forget—visitors and residents alike—that Italy is a stunning but shaky land,” wrote Beppe Severgnini in The New York Times after the recent devastating earthquake in central Italy on August 24.}

_{Only a few days before that tragic event, Walter and I were in the Naples area face-to-face with the history of Italy’s fragility: the destruction of Pompeii in 79 AD. Eerily, historians pin date the deadly volcanic eruption of Mt. Vesuvius as August 24.}

_{We walked the stone streets of the once-prosperous town of 20,000. We saw the stone shells of its homes, shops, public baths, and amphitheaters. We looked in appropriate awe at the peak of Mt. Vesuvius less than five miles away. A French couple we met had climbed Vesuvius to peer into the crater. Like looking into the mouth of hell.}

_{Friends advised us to tour the National Archeological Museum of Naples to gain a better understanding of daily life in Pompeii. The museum houses countless objects from the town when it was alive: Vivid frescoes, stunning mosaics, glassware, silver serving pieces, finely crafted pottery, cooking vessels, and an eye-popping collection of erotic art kept in “The Secret Room.”}

_{The Past is Prologue}

_{The volcanic eruption that time-encapsulated the ancient Roman settlements of Pompeii, Herculaneum, Oplontis, and Stabiae was preceded 17 years earlier by an earthquake and subsequent tsunami. Modern scientists understand that these natural disasters are caused by a fault line where the Eurasian and African plates come together and pull apart to facilitate earthquakes and volcanic eruptions. In other words, a really bad location for one of the world’s greatest civilizations.}

_As_{Severgnini explained, “Since 1861, when the country was unified, there have been 35 major earthquakes and 86 smaller ones. Every region has been hit. Over 70,000 people lost their lives in an earthquake that struck Messina, Sicily, in 1908. The island was hit again in 1968; Friuli in 1976, Campania in 1980, Abruzzo in 2009, Emilia in 2012. The Apennine mountain range, the geological spine of Italy, has been repeatedly battered.”}

_{Italy shall prevail. It always has. The hope is that it will prevail with earthquake-proof buildings and improved seismic activity forecasts.} _{Italy may be fragile but our love for the land and its people is unshakeable.}

_{For information on how to donate to relief efforts for people affected by the earthquake in central Italy, click here.}

The Great Flood of Florence

Posted March 16, 2015 by Sharon 2 Comments

Among those cleaning up the Santa Croce courtyard after the flood are Marcello Gori (left standing on the ground), who was my employer at The Leather School, and Padre Franchi (second from right) who became head of the Franciscans at the Basilica.

Some of the men who would become my friends in Florence labored to clean up the Santa Croce courtyard after the flood. Massimo “Max” Melani’s head is just visible (third from the left on the truck bed). On the ground are Marcello Gori (left), who was my employer at The Leather School, and Padre Franchi (second from left) who later became head of the Franciscans at the Basilica.

By Walter Sanders

When I moved to Florence in 1971, the city was still recovering from the disastrous flood of November 4, 1966. High water marks—stained by mud, heating oil, and gasoline—stretched like taut ropes across building facades near the Arno.

It was harsh stuff that floated to the top. And below the crest mark, on walls around the city, were murky shadows of flood residue.

These ugly reminders faded with time, but have been memorialized with plaques designating the height of flood waters throughout the city. Five floods from five different centuries are noted by these marble plaques; none are as high as those commemorating 1966.

I worked at the Scuola del Cuoio, the Leather School, from 1972 through 1975. The workshops and showrooms were located in the old Franciscan monastery attached to the Basilica of Santa Croce, one of the hardest hit victims of the flood. I still remember the stains, and even the faint smell of fuel, on the exterior and interior walls of the courtyard.

Kayla Metelenis and Diane Cole Ahl

Those memories rushed back when I attended a presentation “Looking Back at the Flood of Florence in 1966: Disaster, Recovery, and Cultural Conservation,” sponsored by the Art Department and The Ideal Center of Lafayette College, Easton, Pa.

Sharon and I had met the one of the presenters, Diane Cole Ahl, Rothkopf Professor of Art History, when she curated a traveling exhibit of “Offering of the Angels” from the Uffizi at the Michener Museum, Doylestown, Pa.

Ahls’s student Kayla Metelenis ’15, art history major, was co-presenter.

[Read more…]

St. Francis in Brooklyn

Posted December 30, 2014 by Sharon 2 Comments

The Codex 338, dated between 1224 and 1226 (the oldest existing copy) contains the writings of Francis and among these the “Canticle of the Creatures,” a work considered the first literary document written in the vernacular and a poetic and spiritual masterpiece.

By Tess Sanders

This time of year, the Brooklyn Borough Hall is ablaze in all its holiday glory. But its current display, in particular, more clearly conveys the spirit of Christmas than any number of colored lights.

From now until Jan. 14, 2015, Brooklynites and visitors can see–for the first time in this country–papers that belonged to St. Francis of Assisi. The exhibit, Frate Francesco: Icons, Words, and Images, features documents from the early thirteenth century that capture the spirit of this extraordinary individual.

The show, which originally appeared in Rome, was displayed at the United Nations prior to coming to Brooklyn. These documents have only been viewed in Italy before this year.

The exhibition is divided into three sections:

Icons in the documents that closely witness the historical life of Francis
Words relating to the life of the saint
Images in miniatures portraying him in various ancient contexts

One of the most moving documents from the show is the illuminated Bible, which depicts St. Francis’ union with God. The illustration of the saint remains vibrant for all viewers who want a reminder of all the good that can be done in this world.

St. Francis’ virtues of compassion and connection are more important than ever nearly one thousand years after he lived. Francis sacrificed his life and wealth in service of the poor, and his commitment to his fellow man transcends all religions.

At the recent opening reception, his spirit was in the air.

Tomie dePaola

Posted December 9, 2014 by Sharon 3 Comments

Author and illustrator Tomie dePaola captures the magic of Christmastime.

When my daughters Emma and Tess were six and four, we met Tomie dePaola at a book signing in Oakbrook, Ill., for his then-latest release, Jingle, the Christmas Clown. The girls were shy about meeting the artist who had created Strega Nona and The Art Lesson, classics in our home library. They were hanging back, half-hidden behind bookshelves.

Staying behind when their circus moves on, a young clown and a troupe of baby animals put on a special Christmas Eve show for an Italian village too poor to celebrate the holiday.

Tomie not only graciously autographed Jingle but also signed the well-loved copies of his The First Christmas pop-up book and Merry Christmas, Strega Nona that we had toted with us.

Tomie was born in 1934 into an Italian-Irish family in Meriden, Conn. An artist from a young age, he has written and/or illustrated more than 250 books and has received every major children’s book award including the Newbery Award, the Caldecott Medal, and the Laura Ingalls Wilder Award. Of his works, I can only say, they make me smile inside. As a writer, I relate to his narratives, which are wise to the universal foibles of human nature. Since I’m not versed in art, I’ll quote illustrator Beth Gismondi on what makes Tomie’s illustrations unique.

“Tomie is known for his distinctive, deceptively simple style: bold outlines, washes of bright color, and very linear compositions. However, as many illustration students soon realize, simplicity is anything but easy to achieve. Tomie has a full mastery of his technique and characters when he works in his minimalist line-and-wash style. He can indicate a facial expression in four lines! Every mark counts, and there is no way to hide a mistake when working in translucent washes of paint.”

You can read about Tomie’s life and art on his Website. To order autographed Tomie books, visit Morgan Hill Bookstore in Tomie’s hometown of New London, N.H.

Have you been to Naples? What is your most vivid memory?

The Past is Prologue

By Walter Sanders

By Tess Sanders

What Tomie book do you love the most?

_{The Past is Prologue}