Some of the men who would become my friends in Florence labored to clean up the Santa Croce courtyard after the flood. Massimo “Max” Melani’s head is just visible (third from the left on the truck bed). On the ground are Marcello Gori (left), who was my employer at The Leather School, and Padre Franchi (second from left) who later became head of the Franciscans at the Basilica.
By Walter Sanders
When I moved to Florence in 1971, the city was still recovering from the disastrous flood of November 4, 1966. High water marks—stained by mud, heating oil, and gasoline—stretched like taut ropes across building facades near the Arno.
It was harsh stuff that floated to the top. And below the crest mark, on walls around the city, were murky shadows of flood residue.
These ugly reminders faded with time, but have been memorialized with plaques designating the height of flood waters throughout the city. Five floods from five different centuries are noted by these marble plaques; none are as high as those commemorating 1966.
I worked at the Scuola del Cuoio, the Leather School, from 1972 through 1975. The workshops and showrooms were located in the old Franciscan monastery attached to the Basilica of Santa Croce, one of the hardest hit victims of the flood. I still remember the stains, and even the faint smell of fuel, on the exterior and interior walls of the courtyard.
Kayla Metelenis and Diane Cole Ahl
Those memories rushed back when I attended a presentation “Looking Back at the Flood of Florence in 1966: Disaster, Recovery, and Cultural Conservation,” sponsored by the Art Department and The Ideal Center of Lafayette College, Easton, Pa.
Sharon and I had met the one of the presenters, Diane Cole Ahl, Rothkopf Professor of Art History, when she curated a traveling exhibit of “Offering of the Angels” from the Uffizi at the Michener Museum, Doylestown, Pa.
Ahls’s student Kayla Metelenis ’15, art history major, was co-presenter.
Street performers sing operatic arias. They pump life into an accordion’s complication.
