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Wine Not?

Posted February 24, 2009 by Walter 5 Comments

openbottlenight

Sharon and I will be opening a 1999 Tenimenti Angelini Brunello di Montalcino. My favorite wine opening gizmo? The classic waiter's corkscrew.

By Walter Sanders

I’ve never met Dorothy J. Gaiter or John Brecher, the informed and entertaining proprietors of the “Tastings” column in The Wall Street Journal, but I’ve heard them on NPR and have been reading their column for a long time. They are smart, real, and fun-loving in their approach to wine.

They created the “Open That Bottle Night” concept 10 years ago … and what a wonderful concept it is.  It grew as a response to the most common question they receive from people who are saving a bottle of wine for a special occasion. “When is the bottle ready to drink?”

Their answer is perfect. “You know that bottle of wine you’ve been keeping around for that special occasion that never arrives or because the wine is always going to be better tomorrow? Open that bottle!”

OTBN is celebrated on the last Saturday in February … so this year, the 28th. What a perfect time of year to invite friends over for a wonderful dinner and share the wine you’ve been saving.  And while you’re at it, propose a toast to Dottie and John for helping you open that bottle.

You can watch Dottie and John talk about Open That Bottle Night at www.WSJ.com/Tastings

Speaking of opening that bottle, tell me what kind of corkscrew, equipment or gizmo you prefer to get the job done.

Filed Under: Lifestyle, Wine

Remembering Amarcord

Posted February 13, 2009 by Walter 2 Comments

By Walter Sanders

Maybe the greatest cinematic love letter ever filmed, Federico Fellini’s 1973 Amarcord is a special treat on Valentine’s Day.

amacordIt’s a multi-layered, lasagna-like love story-a good looking taste treat of Fellini’s remembrances of growing up in Rimini. Through the eyes of his alter-ego teen character Titta Biondi, Fellini tracks a year (from spring to spring) in pre-WW II Fascist Italy.

Amarcord, dialect for “I remember,” is about his love of youth, his love of the seasons passing, his love of women, his love of political folly, his love of the foibles of love, his love of Rimini, and his love of being in love, his love of memory and how it expands some images…and laughs at others.

The characters are lush and over the top. Zio Teo, the crazy uncle, sprung from the asylum for a family picnic, climbs a tree and howls for hours like a horny wolf “Voglio una donna!” (I want a woman.) [Read more…]

Filed Under: Culture, Film, Language, Lifestyle, Miscellany Tagged With: Amarcord, Fellini, Italian film, Valentine movies

Coming to Closure

Posted February 4, 2009 by Walter 1 Comment

Wine closures clockwise from bottom: traditional cork, glass stopper, screwtop, plastic cork.

Wine closures clockwise from bottom: traditional cork, glass stopper, screwtop, plastic cork.

By Walter Sanders

We’ve all heard the rumblings.

Corks are dying and alternative wine closures are the saviors of consistency, convenience, cost and quality.

Chances are you have encountered screw tops, synthetic corks, composite corks or glass stoppers in wine bottles at restaurants, wine shops and parties. What’s going on with alternative wine closures?

To learn more about the issues, I read the IACP Award-winning To Cork or Not to Cork: Tradition, Romance, Science, And the Battle for the Wine Bottle by George M. Taber (Scribner, 2007).

Well, my wine-loving amici, there is no comprehensive single answer to the red, white and blush question of what is going to win the battle for the wine bottle. The author documents the immense energy, time, money and research invested in the closure wars…and the battlegrounds are shifting. Here are his 2006 statistics:

  • Some 20 billion wine bottle closures were used in 2006
  • 13 billion were still natural corks
  • 3 billion were technical or composite corks
  • 2.5 billion were plastic corks
  • 1.5 billion were screwcaps
  • 20 million were glass stoppers

Those numbers indicate that cork still has an 80% market share but “that’s down from a virtual monopoly two decades ago,” says Taber. Cork growers, particularly the Portuguese, have the most to lose. Amorim, the largest producer, has invested in technology, cleaner harvesting and manufacturing processes, and testing to try and minimize TCA-produced “corking” (that awful wet-newspaper aroma and taste emitted by a corked wine) and oxidation issues.

Now the cork industry has the tough sell, after generations of blaming wineries and consumers for tainted wines, of admitting the TCA problem and offering an improved cork closure product. [Read more…]

Filed Under: Wine Tagged With: alternative wine closures, italian wine, screwtops, wine corks

In Italy, Wine Is Food

Posted May 8, 2003 by Walter Leave a Comment

Brunello di Montalcino

Brunello di Montalcino

By Walter Sanders

Spend time in Italy, anywhere in Italy, and you’ll soon see that wine plays an integral role in Italian life.

It is poured at lunch and dinner. You may occasionally see a morning cappuccino being chased with a glass of delicate vin santo. Wine is enjoyed as a pick-me-up at bars and cafes during work breaks. Parents, good parents, even offer it, cut with mineral water or soft drinks, to their children to accompany a meal.

I now perceive wine in Italy as a food. No, even more. Remember the food groups pyramid? Italians would probably name wine as a food group and put it near the base, just above grains.

Chiaro o Scuro?

Perhaps no institution better depicts the integration of wine into Italian life than the vini. The word means wines, but I’m referring to the vest-pocket shops that sell wine and snacks.

The vini are informal gathering places. They provide an opportunity to linger and visit with old friends or stop for a quick snack and a nourishing sip of wine. All in all, vini are a time-honored and textured way to touch the pulse of Italy.

My favorite vini are the Florentine hole-in-the-wall shops. They show up every couple of blocks and are often so unobtrusive that, save for the customers milling in front, you could walk right past them.

The vini present an austere, chest-high wooden counter. On one side of the counter is an assortment of crostini: pieces of toasted bread slathered with cooked chicken liver, stacked with salami or prosciutto, or spiked with tuna, onions, olive oil, and pepper. At the other side of the counter is a tower of sturdy glass gotti, oversized shot glasses. No fancy stemmed glassware here; these beauties are heavy-duty. Wine in a gotto may be savored sip by sip or gulped to wash down a quick crostino.

Behind the counter is a narrow bin, filled with wine bottles attended to by the ruddy-faced proprietors. No matter which vini I recall, the proprietors are brothers. You can tell they are brothers by their facial similarities, but they are identical twins in their passion for wine.

And behind the brothers: a steep, creaking stairway down to a grotto where the liquid inventory is stored.

The vini serve an array of patrons. The old-timers belly up to the counter and grunt their preference. For these veterans, it is not a matter of a particular vintage, grower, or grape type. A simple scuro or chiaro suffices. Scuro, which means dark, is Florentine slang for vino rosso, red wine. Chiaro means clear or light, code for vino bianco, white wine. I don’t see these boys drinking much chiaro.

Other customers are a bit more discriminating, but no less appreciative. They inquire as to what is available. Some even seek recommendations.

Whatever the level of engagement, the proprietors meet it: civil, knowledgeable, but never overbearing.

On a hot summer afternoon during a recent visit to Florence, I stopped at one of my favorite vini near Piazza Signoria. I spotted the familiar knot of patrons: the old-timers, the business types in their suits, some young couples, even a few savvy tourists.

I worked my way up to the counter, fully expecting to greet the old brothers I remembered from the last time I had been here.

Much to my amazement, the old vini was now staffed by a pair of young gentlemen with fresh complexions and quietly efficient manners.

You could tell they were brothers by their facial similarities, but they were identical twins in their passion for wine.

Take a look at our Wine Rack

We sample, we sip, we savor
to find affordable affable Italian wines for you.

Salute!

Filed Under: Miscellany Tagged With: italian lifestyle

Whites for Summer

Posted May 8, 2003 by Walter Leave a Comment

Prices range from $10 to $15 per 750 ml. bottle
Selections marked with an * are available in 1.5 liter bottles

THE CLASSICS

Gavi

An elegant white made from the Cortese grape, comes from the Piedmont — way up northwest in Italy. Well balanced, fine and dry — a great complement to grilled fish, poultry and pork.

Orvieto

From Umbria, just south of Tuscany, this pale beauty provides a quiet canvas upon which to paint the brilliant flavors of summer vegetables and salads.

Pinot Grigio*
Usually from northern Lombardy or Veneto, has made its way onto nearly every restaurant wine list in America. Some snobs complain that it’s not memorable, but it brings out the best of vibrant summer cooking.

Soave*
This soft, lightly fruity, unobtrusive blend of Gargenega and Trebbiano or Chardonnay is produced in the Veneto. If you can find a Soave Classico, you’ll pay a bit more, but you’ll buy additional personality.

Vernaccia di San Gimignano
From an ancient Tuscan vine, this austere beauty was Italy’s first name and origin controlled (DOC) wine. Its characteristic slightly bitter finish evokes nothing but sweet memories of my many visits to that little town with the amazing towers.

HIDDEN GEMS

Erbaluce di Caluso
This varietal from Piedmont is pleasing, delicate and dry. The color is a soft yellow blush and it has a fresh, brisk nose. Excellent with grilled seafood.

Tocai Friulano
Related to French Sauvignon, this variety is dry and delicate. The 2000 I enjoyed had a grassy nose that gave way to a pleasing spring sage flavor on the tongue. Don’t confuse this Tocai with the strongly sweet Hungarian Tokaji or the Alsace Tokay.

Verdicchio dei Castelli di Jesu

From the Marches, east of Tuscany, the traditional amphora-shaped bottles that used to be marketed here have been replaced with less gimmicky glass. The 2000 has a crisp, fresh citrusy nose, with a husky, broad taste that picked up some deep apricot tones. Great with grilled salmon.

Vermentino di Sardegna
From Sardinia, this clean, light varietal had a light citrus nose and bright, almost lemony on the palate. Marries nicely with grilled poultry.

Nuragus di Cagliari
Another lively Sardinian, this varietal is slightly acidic at first taste, then softens with the meal. The color is spectacular: bright, deep yellow with brilliant green highlights.

Filed Under: Miscellany Tagged With: italian wine

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