
Grazie mille for Laura Thayer’s lovely review of Cooking Up an Italian Life on her Ciao Amalfi blog. Laura is an American art historian and travel writer who has the good fortune (sigh!) to live near Amalfi.
Wine Therapy
Are you coming off a pressure cooker week at work?
Just imagine restoring yourself with The “Wave of Bacchus” Sangiovese wine scrub or another luxe viniferous therapy at Spa bellaUve in Torgiano, Italy.
Listen as NPR correspondent Sylvia Poggioli dips into old “Books of Secrets” as she tours this Umbrian spa operated by the Lungarotti winery.
Dream of Paestum
We’re thrilled that the award-winning paid subscription newsletter Dream of Italy is featuring three stories–leading with Paestum and its breathtaking Greek temples and museum–about Sharon’s recent exploration of the Amalfi and Cilento coasts of southern Italy. If you love traveling in the real Italy (or armchair fantasizing that you are!) this is the publication for you.
Subscribe now and you’ll Dream of Italy for days to come.
Panzanella
I crave panzanella in August. This home-spun jumble of stale bread, succulent tomatoes, aromatic basil, olive oil, wine vinegar, cucumber and onion is restorative. Each refreshing bite perks me up, makes me feel more like a budding flower and less like a scorched weed.
I first tasted panzanella in the countryside outside of Florence. Friends told me that the dish evolved as thrifty country cooks combined stale bread with juicy seasonal produce to create a quick, inexpensive salad.
These days, the challenge to putting together a good panzanella is in obtaining ingredients that will give the dish a genuine flavor and the proper texture. The keys are the bread, the tomatoes, and the olive oil.
Bread
Panzanella requires a rustic whole-grain loaf–with no fat or sweeteners–that won’t dissolve into goo when moistened. (LaBrea Bakery whole grain loaf is one commercially-produced example. To find a store near you, go to La Brea Bakery.) Many so-called Italian breads are made from white flour and dough enhancers and are just too fluffy to hold their crumb. If you’re a baker, you can prepare the Italian Wheat Berry Bread for the panzanella. If you think your bread won’t hold up to the water bath, I recommend skipping that process. Instead, simple toast the bread lightly and then cut it into cubes before tossing with the vegetables and dressing.
Tomatoes
Choose very ripe fruit that’s grown in your area. I like heirloom varieties which are like tomato-juice machines.
Olive oil
The fruity taste of extra-virgin oil is essential. When it’s mixed with the vegetables and basil, it produces a seasonal elixir.
While I prefer the classic simplicity of the following recipe, you can add protein or other vegetables to a panzanella to make it a one-dish meal. Add-ins include lettuce, radishes, celery, fennel, prosciutto, canned tuna, Parmigiano Reggiano, Gruyère, capers, artichoke hearts, hard-cooked eggs and roasted red peppers.
Panzanella (Tuscan Bread and Tomato Salad)
Makes 6 to 8 servings
1 loaf (about 1 pound) rustic Italian Wheat Berry Bread, cut into 1/2-inch cubes, dried
1/3 cup extra-virgin olive oil
2 tablespoons red or white wine vinegar
Salt and pepper
1 1/2 pounds ripe locally-grown tomatoes, cut into chunks
1 medium cucumber, peeled, quartered lengthwise, sliced
1/2 medium red onion (about 4 ounces), halved and thinly sliced
1/2 cup slivered fresh basil
Place the bread in a large bowl. Cover with cold water. Allow to soak for 30 to 60 seconds until bread is saturated. Test by squashing a piece between thumb and finger. Drain. Scoop the bread in cupped handfuls, squeezing out excess water but taking care not to pulverize the bread. Transfer to a platter. Continue until all the bread is squeezed.
In a large bowl, whisk the oil, vinegar, and 1/4 teaspoon salt. Add the tomatoes, cucumber, onion, and basil. Toss. Add the bread and toss. Season to taste with pepper and more salt, if needed.
What’s your go-to Italian summer dish? Tell us about it.
Colosseum “Naming Rights”
Telecom Italia Colosseum has a certain ring to it. Or maybe Fiat Group Colosseum will triumphantly cruise into the winners circle. But then again, the Banca Popolare di Milano may have deeper pockets to make the Colosseum its own.
If all goes to plan, a corporation could soon be restoring the Roman Colosseum, one of the most-recognized antiquities in the world.
As Ella Ide of Reuters reports in Italy Turns to Private Sector to Help Colosseum in the Washington Post, the cash-strapped Italian government is looking for a corporate angel to pony up $32 million to completely restore the Colosseum and make it fully accessible to visitors by 2013.
Of course, I’m using the phrase “naming rights” ironically. The article does not specify whether the donor will plaster its name on the facade. Plus, there is precedent. The Vatican carried through a controversial deal with Japan’s Nippon Television Network to fund the restoration of Michaelangelo’s frescoes in the Sistine Chapel. In return, Nippon filmed the entire project and also released a massive coffee table book documenting the process.
Are corporations the new-millenium Medici? Do business conglomerates know the first thing about restoring priceless antiquities? How do you feel about the Colosseum going begging?
Palladio in New York
I visited my old friend, the architect Andrea Palladio, the other day at the Morgan Library & Museum in Manhattan. As always, he made the world seem harmonious, simple and elegant . . . a serene and sensible place.
Perhaps I should explain that Palladio isn’t actually in New York (he departed the earth in 1580). But fascinating pieces of his legacy are on display for old companions and new acquaintances to savor. A special exhibit Palladio and His Legacy: A Transatlantic Journey runs through August 1, 2010, at the Morgan.
It’s impossible to imagine certain periods of American monumental architecture without bowing to Palladio. The Supreme Court Building, the New York Stock Exchange, countless train stations, banks, universities and libraries are directly influenced by his genius.
The exhibit shows how a residential architect, working in the 16th Century Veneto, gained lasting international influence. Some early Palladio drawings, on loan from the Royal Institute of British Architects Trust, illustrate the intensive study that enabled him to become the bridge from ancient Rome to the future.
By poring over Vetruvius’ writings about classical architecture (no drawings survived with this text) and visiting ruins of the Empire, Palladio absorbed the ethos of those timeless structures and interpreted them in his magnificent designs. In 1570, he published I Quattro Libri dell’Architettura (Four Books on Architecture) which became the Bible of generations of European, British and American architects.
Also on view are sketches, pattern books and models of Palladio’s creations as well as several of the American buildings, such as Thomas Jefferson’s Monticello and the Virginia State Capitol Building, that he influenced.
If you can’t make a pilgrimage to the Villa Rotonda this summer, visit Palladio in New York.
For all the details, go to
225 Madison Avenue, at 36th Street
New York, NY 10016-3405
212.685.0008
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